5 page paper (prompt provided) USE MUNOZ’S “PERFORMING
DISIDENTIFICATION” READING IN THE ESSAY TO TALK ABOUT
Resistance Paper: Artist Case Studies
Each of the readings from this unit outline a specific model
of subversive resistance to established systems of power that can be observed
in the practices of contemporary artists across genres. Though the readings all
share an implied outcome—the subversion of dominant power—their strategies are
each distinct. In this way, each can be understood as a methodology of
resistance—a lens for identifying the sometimes hidden ways that those with
less power can creatively undermine larger systems of power. Your assignment in
this paper is to choose just one of these methods of resistance to use to
analyze two specific works cultural works discussed in this unit.* In essence,
the works you discuss become “case studies” that allow you to examine and
discuss a specific mode of creative resistance.
This “case study” approach is common practice in critical
writing in the social sciences and cultural studies where social, political,
and economic theories are used as a method to explain the unrecognized
structures and belief systems behind behaviors and events in the real world.
Case studies can be formal and follow a scientific format of distinct sections
titled Overview, Background, Method, Analysis, and Conclusion, or these
elements can be more organically worked into to an essay or article. Either
way, the process is similar: case studies apply a theoretical approach or
method from an established source to a new site of the author’s choosing in
order to, first, inform the reader about the chosen site; and, secondly and
even more importantly, to introduce the reader to the theoretical methodology
used in the analysis.
PICKING A LENS
Review your notes from the reading, lecture, and section
discussion. Which text seemed the most interesting to you: the artist as
trickster, artist as tactical consumer or poacher, or artist performing
disidentitifcation? What are the strategies or characteristics the author
identified as key to their resistance strategy. Now: apply it to your art
object. REMEMBER: it isn’t necessary that the art object you choose is an
exemplar of the lens. If it doesn’t seem like the lens applies, describe how it
doesn’t. What conclusions can you draw from the contrast?
CHOOSE 2 ART OBJECTS TO TALK ABOUT
LL Cool J, Gap Commercial
Key & Peele ,Negrotown
Andres Serrano, Piss Christ
NuSouth Clothing Logo
Star Treck slash fan drawings, here and here
Zoe Leonard, “I want a president”
Zach Blas, “Facial Weaponization Suite Communiqué: Fag
Face” (2012)
Nao Bustamante, interventions: “Rosa Does Joan”
and “Work of Art”
Original Zephyr Skate Team, Dogtown and Z-Boys(dir. Stacey
Peralta, 2001)* *
Michael Rakowitz: ParaSITE (related to the inflatables
example shown with the De Certeau)
Joe Scanlan: IKEA Coffin – first example in the article
(related to the IKEA hack example shown with the De Certeau)
Homeland Graffiti
Psy “Gangnam Style”
Bambitchell: Silent Citizen: links here and here
